The exploration of emptiness is a central theme in Georg Pinteritsch's work. He deals with the tension between abstract bodies, passages, and loose objects in a distorted environment and barren landscape. Pinteritsch combines aesthetics and the symbolic gesture of medieval woodcuts with strictly geometric lines. Sometimes these lines are only hinted at by the arrangement of the objects, allowing viewers to discern a kind of overarching structure. The drawn line, which separates surfaces and forms from one another, determines position and composition, divides the most diverse surfaces, and is a fundamental building block of his drawing and painting. The works tell of strange rituals and unnamed places that are imbued with an invisible order and held together by a network of lines and shapes.
Im Garten (In the Garden) is a collection of pencil drawings created in sketchbooks that deal with the theme of the pleasure garden. The landscape as a space of meaning, nature as a garden of symbols, the environment as an extension of inner human states. A booklet with 16 practical illustrations, translated as monochrome risographs.