LEAN

Ausstellung
8 — 30/5 2019
Eröffnung
7/5 2019 19h
Reasons for leaning: comfort, aggression, political, olfactory, weight distribution, other.

If it was in my nature to lean so far to one side, I would have done so already.
The fact is, that leaning in a timely manner just a little, like this…. will only get you so far.

What if I lean too far to either side? It could really put things off balance. However, if I lean forward, for example, I can perceive your thoughts in a slightly different manner, and possibly even have a renewed perception in certain situations.

The direction of the lean, either forwards, backwards, or to either side, will allow the leaning character to lead the direction of the conversation. It becomes then, not only a manner in which to gain extra weight from a situation, but can be used to influence in a particular direction. If one leans far enough, the conversation will be dominated by the fact that the lean has become something other, perhaps an entirely different focus for the situation.

Lean in, like this: take the weight off one foot, put the pressure on the other, and keep the lean until either of these two things happen: you perceive the situation differently, or the situation changes based on the propensity of the lean.

Would the conversation be differently influenced, based on the direction of the lean? A left or right lean could be obviously appropriated as being politically motivated, but a forwards or backwards lean could contain a more personal ambition, either to be part of something, going forwards, or to remove oneself from an unpleasant situation, in going backwards.

It could also influence others, not only in conversation, but in a situation, to start leaning also. Is that what is achieved here, for people to lean with you, or even against you, onto you, into you?

ÜBER KUNST SCHREIBEN

FRAGILE NARRATIVES

LEAN

BELLADONNA

REUNION

THINGS. VON DINGEN UND ZEICHEN

LISTENING SESSION – A MOMENT IN ECHO PARK

A MOMENT IN ECHO PARK

HAUPTSACHE GEMEINSAM III

HAUPTSACHE GEMEINSAM II

HAUPTSACHE GEMEINSAM I

HAUPTSACHE GEMEINSAM

0FF8N0FF – Concerts

0FF8N0FF – Spaces Alive #abstract

IN CASE OF UNCERTAINTY

SERVICE UNAVAILABLE

SHIFTING BASELINES

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SINGLE KEYS

DUST TAPE VOICE

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WHISPERING MIMICRY

SENA BAŞÖZ
LISA TRUTTMANN

DIE KUTSCHE IM SCHLAMM

ZUKUNFT JETZT! —
POLITIK DER DIGITALEN MASCHINEN

ZUKUNFT JETZT! —
POLITIK DER DIGITALEN MASCHINEN

PARTY PARTICLES

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XX

ESSAY AS A STATE OF MIND

ZUKUNFT JETZT! —
GRENZEN, BARRIEREN, BARRIKADEN?

ZUKUNFT JETZT! —
GRENZEN, BARRIEREN, BARRIKADEN?

FAST NUR HAUT, MARGARINE.

KLASSENFAHRT ATHEN

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0FF4N0FF

ZUKUNFT JETZT! —
DIE ZUKUNFT DER ARBEIT

ZUKUNFT JETZT! —
DIE ZUKUNFT DER ARBEIT

BEWEGUNGSNOTATIONEN

GARDEN OF DESIRES

ATHENS @ MEMPHIS

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WESENLOSE PHANTOME

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WHAT THE HELL IS UP TO US?

PARALLAXE 12

SEHNSUCHT IST HEILBAR

PARALLAXE 11

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PARALLAXE 10

PRETTY STRAIGHT FORWARD

THE CITY AND ME

WIR SIND DA. ZUMINDEST ERINNERN WIR UNS DARAN.

PARALLAXE 9

IMMUTABLE MOBILES

PARALLAXE 8

PARALLAXE 7

PARALLAXE 6

PARALLAXE 5

PARALLAXE 4

GENERATIONENPFADE – NEREDEN NEREYE

PARALLAXE 3

KONZERT II: PERMANENT EXPEDITION

KONZERT I:PERMANENT EXPEDITION

PERMANENT EXPEDITION

HOHE TÜRME TRIFFT DER BLITZ

PARALLAXE 2

TELEFUNKEN BAJAZZO

SOUNDWWWALK

WITH ANONYMOUS & OTHERS

PARALLAXE 1

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